Date: | 1916-7 |
For: | Piano |
Published by: | State Publishing House 1919 |
Availability: | Dover (1959/2001); Boosey & Hawkes (no.2 – reprint of 1922 ERM) |
complete
Nikonovich 1981 Russian Disc RDCD10014 - nla
Milne 1994 CRD (vol.5) Brilliant Classics 9195 7cds, 8851 7cds, CRD3498
Milne 2006 Hyperion CDA67491/2
Tchaidze 2012 Honens HON201202C
nos. 1, 2
Bekhterev 2004 Camerata CMCD28074
nos. 1–3
S Conus pre 1988*
Jeanne d'Arc records - nla
no. 2
Moiseiwitsch 1928 HMV E530, Victrola 1449
Naxos 8110675, Testament SBT1196, Koch 37035-2 - nla, Dante HPC024 - nla
Cherkassky 1946 Vox 16026 (set 165) listen at russian-records.com
Pearl GEMMCD0138, APR APR_7316 3cds, Ivory Classics 72003 - nla
Nielsen 1955-60 Northern Flowers NF/PMA 9982
Achúcarro 1963 RCA Victor LM-16308
Krehm c.1974 CBC (Radio Canada International) SM-247
Clegg 1977 Alpha DB244
Paradisum PDS-CD17
Garland 1990 Unicorn-Kanchana UKCD2037
Tozer 1991 Chandos (vol.1) CHAN9050
Milne 1994/Husum* Danacord DACOCD429
Carol Rich 1996 private label - nla
Mejoueva 1998 Denon (vol.1) COCO-70756, COCQ-83112 - nla
Hanselmann 1998 Prezioso (vol.2) CD800.037
Berezovsky 2006/Essen* Euroarts EUA2055758
Berezovsky 2007 Mirare MIR059, MIR290
Scheps 2013 Genuin GEN 14302
Sukharevich c.2019 ClassicaDalVivo CDL/0619
Mejoueva 2021 Bijin Classical BJN-1020
nos. 2, 3
Medtner 1936 DB3004, Victor 14509
#2 Melodiya D 7845/6 Aprelevka Riga
Appian (vol.2) APR5547, St-Laurent YSL 78-007, Melodiya MELCD 10-02200, Dante HPC130 - nla
Berezovsky 1995 Teldec 4509-96516-2
Burdin 2018 Global Sound Records
no. 3
Lifschitz 1990 Denon COCO-79807, COCQ-83251 - nla
Lewin c.2013 Sono Luminus DSL-92168
nos. 3, 4
Shatskes 1958 Melodiya D 10063/4† All-Union
no. 4
Arimori 2013 Fontec FOCD-9610 (Japan)
† The IPQ and BIRS discographies err in omitting Op 34 no 3.
Medtner recorded a Duo-Art piano roll of Op 34 no 3 in 1925 (published 1931)
Malinin/Stern c.1965 Melodiya D 016139/40 sleeve
Koussewitsky republished the Op 34 set in 1922 after re-establishing Édition Russe de Musique in Paris. As with other Medtner works first published in Russia after the nationalisation of the musical press, he had to re-engrave the work as he did not have access to the original plates. I only have the ERM of no.2, of which the Boosey & Hawkes edition is an exact copy. Like many other contemporary ERM publications it is subtitled Edited by F. H. Schneider in an (apparently futile) attempt to secure copyright in the USA.
Numerous dynamic and expressive markings were added in the 1959 Collected Edition, especially in no.1. A few of these are not trivial. In bar 17 of no.1 the tied half note B is a tenuto quarter note in the 1919 edition, and there is no staccato dot in the LH. Most of the pedal marks and fingerings originate from the 1919 edition.
None of the subtitles or quotations are present in the 1919 edition.